02 January 2018

Spring Workshops 2018

Happy New Year to you all!


Mending on a large furoshiki found at a Tokyo Flea market


I was so fortunate that my art and teaching took me to so many interesting places where I met such wonderful people in 2017. Teaching took me to Arrowmont in Tennessee, and to the Mabel Dodge Luhan House in Taos, New Mexico. Both storied places where artists have been visiting and creating for years. My part in co-curating the MUSUBU exhibit took me to Tokyo where I made many new friends and became even more enamored of that alluring city.


Boro fragment from my personal collection - I take this example to every class


Now here we are in 2018 and I have a number of workshops coming up in the first half of the year that I want to share with you. Here is my teaching schedule through the end of June 2018:

One of my Boro Sampler Book pages


Boro Sampler Books
French General, Los Angeles, CA
Saturday, February 18th, 2018, 10-4
(class is full - get on waitlist!)

Japanese Mending as Utility and Embellishment
Saturday, April 21st, 2018, 11-5



Mending on a large furoshiki found at a Tokyo flea



Boro Sampler Books
A Work of Heart, San Jose, CA
Sunday, May 6th, 2018, 10:00-5:00

The Boro Aesthetic: Creating Fiber Arts Pieces Inspired by Japanese Textiles
Mendocino Art Center, Mendocino, CA
Friday-Sunday, June 1st-3rd, 2018
(Summer schedule up soon - save the dates!) 


Boro Sampler Books and Boro Bags
Ashland Art Center, Ashland, Oregon
Saturday and Sunday, June 9-10th, 2018
10:00-4:00 each day


Boro Bags


At the end of June I will be traveling to France to join French General's France Getaway Retreat! I will be teaching in the afternoons after the morning outings and adventures. How can you NOT join us?

Exploring Craft, Textiles and Food
French General's France Getaway
June 22 - 29th, 2018 


detail from one of my teaching samplers
 

If none of these locales are near to you remember that my book The Boro Aesthetic: Books, Bags, Zakka and Zokin is available on Blurb and Amazon. It includes handouts from my workshops, text that covers what I discuss in class, color images and a glossary. It is a slim volume but it includes how-to information from three workshops.

I appreciate each and every time that any of you sign up and take a workshop with me and I hope to see you in 2018!





08 November 2017

Bibliomuse at Seager Gray Gallery

Bibliomuse is a series of books, wall pieces and objects that are inspired by discarded/withdrawn library books.


Hemingway and the Art of Awareness, No. 2,3,4,5 & 6


Bibliomuse is a subseries of KEEP: Modern Library.


Genetics, Paleontology and Evolution, No. 1


In KEEP: Modern Library I looked to one withdrawn library book as my muse. That was: Records Management: A Collegiate Course in Filing Systems and Procedures. Imagery from that book floats through each piece in KEEP: Modern Library.


Genetics, Paleontology and Evolution, No. 2


In embarking upon the subseries Bibliomuse I looked to five additional books as my muses: How to Know the Mosses and Liverworts; Genetics Paleontology and Evolution; Incredible Truth; Manual of Scientific Russian; and The Art of Awareness.


How to Know the Mosses and Liverworts, No. 1 (detail)


 I have extracted, abstracted and repeated imagery from each of those titles throughout the new Bibliomuse series. The imagery is created with a mixture of stencils and image transfers.


Incredible Truth, No. 1 (detail)

The exhibit Bibliomuse is now up at Seager Gray Gallery in Mill Valley for the month of November, 2017.


Bibliomuse at Seager Gray Gallery

Each piece continues the exploration, started in my KEEP: Modern Library series, of what we keep, the different ways in which we keep things/thoughts/emotions, and when it is perhaps time to move those things along.


Manual of Scientific Russian, No. 1

Each piece utilizes bookcloth that is extracted from withdrawn library books. Wherever you see color in these pieces - it is old bookcloth. These pieces are all repeatedly, and rather excessively, machine stitched which creates a unique texture and a new textile. The base cloth is antique handspun/handwovern linen, backstrap woven cotton from Africa, and other reclaimed linen.


Bibliocubes, No. 1, 2 & 3

Seager Gray Gallery created a gorgeous catalog that is available by contacting the gallery. A digital version is also on the Issuu site here.


Bibliomuse at Seager Gray Gallery


If you are in the area I hope that you get a chance to stop by the gallery.

10 October 2017

Taos 2017

One week after I returned from Tokyo I was headed to the airport again to fly to Taos, New Mexico to teach with Diane Ericson, Design Outside the Lines, at the Mabel Dodge Luhan house.




What a wonderful, nurturing and inspiring venue Mabel's is.
 




 
I was brought on by Diane Ericson to co-teach alongside her and inspire the students with what I have learned about Japanese textiles, and Japanese Boro and mending techniques, and how I applied that to my artwork.
 
We practiced Japanese mending techniques on a piece of cloth that later was turned into a mini-bag:







I got to play around a bit and was experimenting with stencils and fabric painting on some scraps that I brought and turned those scraps into a different kind of a bag. When I asked the students if they would like to learn the structure, the answer was "yes"!
 
Well, a few of them became obsessed with this bag and they played around with the dimensions and pushed the original design of the bag into these fun structures:




 

Seeing as I had just returned from Japan, I could only really allow myself to take a day and a half to site see after my teaching duties were up.

But, my friend and I packed as much as we could into those hours.






 

So minimal and modern!


 And, the short drive to Ghost Ranch was just stunning with the post-rain saturated earth surrounding us:







Although I am thankful for the experience, Tokyo and Taos with just a week's catch up time in between is a bit more travel than I'm used to so I'm trying to slow down and process both of those inspirational experiences right now. 

As usual, more pics over on Instagram.
 
 

18 September 2017

Tokyo and Urawa, 2017

I've just returned from Japan where I gave talks at the Urawa Art Museum and at Blue and White in Tokyo, and I wanted to give a quick report.


Shinjuku, Tokyo

I traveled to Japan to see the exhibit, MUSUBU, that I co-curated and to give a talk. Read more about MUSUBU in my previous post.





The exhibit space in the Urawa Art Museum was beautiful and the show was thoughtfully installed. We had a good size crowd that first day and visitors seemed genuinely interested in the work.











After I had made travel plans I was invited by Amy Katoh to give a talk at her iconic Tokyo shop, Blue and White





Such a beautifully curated shop that celebrates items handmade, hand dyed, and hand stitched in Japan.









I was only in Tokyo a week but packed quite a bit in. If you would like to see more photos please go on over to my Instagram account or my Facebook business page

Nezu Museum, Tokyo

Arigatou Gozaimasu to everyone who made our stay in Japan a fabulous one!

Later this week I re-pack my bags as I head to Taos, New Mexico to co-teach with Diane Ericson at the Mabel Dodge Luhan house. More on that when I return, or follow along on Instagram!